Category Archives: myth

Pray to the Gods to Overcome Writer’s Block

Arkane Curiosities

As long as writing has existed, there have been writers staring at the blank page, utterly blocked. Often, we look to the divine to intervene and help us overcome writer’s block.

Here are three ancient deities of writing that might inspire your to greater narrative glory. 

Seshat, the Mistress of the House of Books

Seshat was a goddess credited with the invention of writing, though her consort, Thoth, received most of the credit. Seshat oversaw all libraries and was the patron of any form of writing. She is seen as either an aspect of Thoth, or his daughter or wife (Egyptian mythology is complicated). 

Seshat would guide the hands of scribes as they held their reeds, helping with their attempts to communicate with the divine. In fact, her name translated to “female scribe”. She is the only Egyptian goddess seen in the actual act of writing. 

Want your writing to live on forever, then Seshat is the one you should look to. The Egyptians believed that everything done on Earth was mirrored in heaven. When an author pens a story on the mortal plane, an ethereal copy was also created in the celestial realm. Seshat then placed this book in the library of the good, preserving it forever. Thus, when you pass on as a writer, everything you’ve written is waiting for you on the other side. 

Quetzalcoatl, the Rescuer of Light and Knowledge

After the world was created, the gods and humans lived together in harmony. Only Quetzalcoatl felt sorrow for he saw that the humans were subjugated by the other gods. Quetzalcoatl adopted the human form to share divine knowledge and writing with humankind. 

Quetzalcoatl was the god of writing and books. His name comes from the Nahuatl and is a compound of “Quetzal” and “Coatl”, or a combination of bird and snake. He was venerated in religious colleges and temples, where future priests were educated. 

The “Plumed God” consistently went out of his way to help us poor humans. According to legend, the Aztec people ate only roots and wild game. They knew about maize, but the plant only grew on the other side of a great mountain range. Other gods attempted to move the mountain with brute force. 

Only Quetzalcoatl used his wits. He noticed a stream of ants marching over the mountain. He transformed himself into an ant and finally reached the fields of maize. Still in ant form, he retrieved a single kernel and brought this back to the Aztec people, thus bringing them the gift of maize. 

Saraswati, Giver of Speech

The Hindu goddess Saraswati embodies all of the arts. She endowed us the Hindu people with speech, wisdom and the ability to learn. She is depicted with four hands, each representing aspects of human learning — mind, intellect, alertness and ego. In one hand she holds a lotus, the symbol of knowledge and the opposite hand, she grasps the sacred scriptures, the Vedas. 

A Hindu festival celebrates Saraswati’s birthday, on the fifth day of the month of Magha, known as Saraswati Puja and Saraswati Jayanti in India. Families encourage their young children to write their first words with their fingers, the very first step in writing. Educational institutions decorate statues of Saraswati, and often arrange poetic and musical celebrations. 

A Sanskrit mantra can be said to the goddess, asking to grant knowledge and wisdom. Here is the the Sanskrit version: 

“Om Saraswati Mahabhagey, Vidye Kamala Lochaney
Viswarupey Vishalakshmi, Vidyam Dehi Namohastutey
Jaya Jaya Devi, Charachara Sharey, Kuchayuga Shobhita, Mukta Haarey
Vina Ranjita, Pustaka Hastey, Bhagavati Bharati Devi Namohastutey.”

The English translation shows off the beauty of this mantra: 

“May Goddess Saraswati,
who is fair like the jasmine-colored moon,
and whose pure white garland is like frosty dew drops;
who is adorned in radiant white attire,
on whose beautiful arm rests the veena,
and whose throne is a white lotus;
who is surrounded and respected by the Gods, protect me.
May you fully remove my lethargy, sluggishness, and ignorance.”

There is also a curse of Saraswati. When we indulge in the arts, our fragile ego often drifts away from the pure pursuit of knowledge toward the bright lights of fame and wealth. All the more reason to ground yourself with the original intent Saraswati embodies. 

Perhaps one of these deities can inspire your own words. At the very least, you can feel in good company as writers for thousands of years have looked to the divine for inspiration. 

Tim Kane

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The Cailleach: A Celtic Goddess Who Shaped the Land with an Apron Full of Rocks

Arkane Curiosities

The Cailleach was a Celtic goddess who traversed Ireland, Scotland and the Isle of Man. She was responsible for the creation of islands and lakes. Seen as both a creator and destroyer, she was known as the “Veiled One.”

Cailleach means “old woman” or “hag” in Scottish and Gaelic. In fact, some scholars believe that this was a title given to any old woman. 

The Cailleach is often veiled, often depicted with a single eye. She has deathly pale skin with red teeth. Skulls adorned her clothing. Sometimes she was depicted as a giantess, leaping from mountain to mountain. The Manx believed she could shapeshift into a giant bird. 

The Shaper of the Land

As she leapt from mountain to mountain, she carried huge rocks bundled up in her apron. Dropping these could create new hills or even islands. She also managed several wells and could use these to flood the land. 

Her tools of creation and destruction included her hammer, with which she was able to control storms and thunder. In some legends, she also controlled a well that would occasionally overflow and flood the land.

Poet Jonathan Swift (1667-1745) included her in one of his compositions:

“Determined now her tomb to build,
Her ample skirt with stones she filled,
And dropped a heap on Carron-more;
Then stepped one thousand yards to Loar,
And dropped another goodly heap;
And then with one prodigious leap,
Gained carrion-beg; and on its height
Displayed the wonders of her might.”

Builder of Islands

One day, the Cailleach happened to be wading through the Northern Channel, between Scotland and Ireland. A French sailor maneuvered his ship between the giantess’s legs. The sail brushed her inner thigh and the sensation to this intimate area gave Cailleach a start. She dropped her load of rocks, forming the island of Ailsa Craig. (Source: Eleanor Hull in her article Legends and Traditions of the Cailleach Bheara or Old Woman (Hag) of Beare)

Hill Builder

In ancient times, many giants roamed the northern isles — the most famous being Gog-Magog and Cailleach-Mhore (Great Cailleach). Legends say that Cailleach-Mhore trudged over the hills, this time carrying massive rocks in a creel (a basket slung over her back). She halted to catch her breath and the creel ripped under the weight. Boulders tumbled onto the landscape, forming new hills. Many hills are known as the “spellings from the creel of the big old woman.”

The Cailleach (also known as Beria in Scotland) created the mountains to use as stepping stones across the land. They also provided houses for her many sons, called the Foawr, the stone throwing giants. These giant children always quarreled with each other. To punish any children who disobeyed her, Beria would close up their mountain houses so they could not leave.

Still angry with each other, her children would climb to the top of their mountain houses and toss boulders at each other. Many of these now lie on the steep slopes or scattered around the valleys of Scotland. 

Beria also used her magic hammer to shape the hills, splintering the rocks so that she could tell one hill from another. She would also strike the ground to form valleys.

Creator of Loch Ness

The Cailleach also had two wells that she managed. Each morning, she would uncap the wells to draw water and then shut them up at dusk. But the two wells were very far apart and she grew weary of trekking backing and forth each day.

She hired a maiden, named Nessa, to work the smaller well. One day, Nessa was late and found the water gushing out of the well. Frightened, she ran away, leaving the water flowing all night. 

Needless to say, Cailleach was displeased. She cursed the maid to forever run and never leave the water. Nessa was transformed into the river Ness, which flows into Loch Ness.

According to legend, once a year (on the anniversary of her transformation) Nessa emerges from the Loch and sings a sad song to the moon. Her voice is more melodious than any bird or the golden harps of the fairies. 

The Cailleach was also the goddess of winter, and we’ll explore that in the next post. 

Tim Kane

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Teeny Haunts: The Urban Legend of Siren Head

The urban legend of Siren Head dates back to 2018 and is the brainchild of Trevor Henderson. The Canadian artist is the creator of many internet memes (such as Cartoon Cat and The Man in the Red Room). The first ever post came on August 19, 2018 depicting the strange creature towering over a hill. Since then, it has exploded across the net and even spawned several video games.

The myth that has sprung up is as mysterious as the cryptid itself. Siren Head has no eyes or ears. Only mouths that mimic the sounds of loved ones. It’s these sounds that lure the unwary deeper into the woods. Some speculate that it’s body is composed of cassette and reel to reel tapes.

Siren Head targets children and those lost in the woods. Its immense height allows it to hide in the trees. You notice it only too late.

Tim Kane

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How Bloody Mary Inspired Two Gruesome Nursery Rhymes

Arkane Curiosities

Many early fairy tales and children’s songs have been sanitized over the years, their darker origins being submerged under the seeming nonsense of the verses. Yet if we dig deep enough, we can uncover the disturbing origin of nursery rhymes. Two gruesome nursery rhymes link directly back to Mary I of England.

Mary, Mary, Quite Contrary

The homicidal Queen Mary I (1553 to 1558), a fanatical Catholic, executed hundreds of Protestants during her reign. Although the nursery rhyme did not appear till 200 years later (1744), Mary remained an unpopular monarch. 

The most common lyrics today are:

Mary, Mary, quite contrary,
How does your garden grow?
With silver bells, and cockle shells,
And pretty maids all in a row

Mary I was quite contrary, going against the grain of English Protestism. Yet how does she “grow” her kingdom? With the sprouting of gravestones from the 284 Protestants she burned at the stake. In this interpretation, the silver bells and cockle shells can refer to torture devices. 

The pretty maids in a row can refer to her attempts to create an heir. She knew she needed someone to rule after her, otherwise her sister, Elizabeth, would take control and revert the country back to Protestant beliefs. Mary was already 38 when married to Philip. She suffered from “phantom pregnancies” where she retained her menstrual fluid, causing her belly to swell. In the end, she suffered two such false pregnancies. 

Three Blind Mice

This rhyme dates much closer to Mary I, being published in 1609 by one Thomas Ravenscroft. The modern lyrics go like this:

Three blind mice. Three blind mice.
See how they run. See how they run.
They all ran after the farmer’s wife,
Who cut off their tails with a carving knife,
Did you ever see such a sight in your life,
As three blind mice?

During Mary’s reign, three Protestant loyalists plotted against the queen. Hugh Latimer, Nicholas Radley, and The Archbishop of Canterbury, Thomas Cranmer all conspired to overthrow the queen. They were never blinded, but perhaps they were “blind” to the truth of God. Instead of cutting off their tails, Mary had the “Oxford Martyrs” burned at the stake. 

The farmer’s wife in this tale refers to Mary and her husband, King Philip of Spain, who owned massive estates. 

So the next time you hum one of these little ditties, think about the pain and suffering that inspired them.

Tim Kane

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