Love, Death, Betrayal and Giant Snails

As a kid I experimented with Tarot cards. I think many of us did. That sort of rampant curiosity that comes with being a teen. The occult didn’t escape my attention. The mysterious Tarot cards, so iconic as a tool of prophecy, drew me in.

snail

Years later, this dabbling turned into downright research for my first published novel—Tarot: The Magician. I didn’t just want a story about evil Tarot cards. That felt too simplistic. Something the Syfy channel would whip up as their movie of the week. Instead, I delved into the history of the cards and how they started as the Dance of Death (see my article on it here).

Three of the Major Arcana cards particularly influenced me: The Magician, Death, and the Hanged Man. These not only became themes for the novel, but characters as well.

The Magician Becomes Love

The title of the novel revolves around a man named Luke Rykell (you can read some of his history here). He helped create the cursed deck. His reward: being trapped inside. But he was no magician.

The history of the card dates back to more of a con-artist or street hustler. One name for the original Magician card is Thimblerigger. Those were the sorts of fellas who tricked people with the three card monty. Their sleight of hand seemed like magic, thus the name of magician.

Here the "Magician" is shown with his most famous trick: the cups and ball.

Here the “Magician” is shown with his most famous trick: the cups and ball.

For most of the history of the tarot, the Magician was simply a street performer and con man. In fact the card’s name was the Juggler or the Trickster. This all changed when the occultist Éliphas Lévi redesigned this card. He depicted the Magician holding one of the card suits (usually a wand) with the others lying on the table (these items replaced the cups and ball trick). Later, Paul Christian (a devotee of Lévi) renamed The Juggler as The Magus, and the change was complete.

How does this relate to love? For most, the Magician represents skill, creativity, and free will. Yet when this card pops up with a romance question, the meaning shifts. It indicates that the time for a new romance is at hand. The moment is now.

Death is the Ultimate Change

Most folks are frightened when the Death card appears in a Tarot reading. They shouldn’t be. The Death card represents change—clearing out the old to make way for the new. Think about a forest fire. As destructive as this process is, it burns away brush that is clogging out new growth. Only with this destruction can the forest revitalize itself. Even after the Black Plague that scoured Europe, the survivors were stronger for it. New evidence suggests that the disease targeted weaker and more frail people, leaving a stronger populace in its wake.

Visconti-Sforza_tarot_deck._Death

In the story of Tarot: The Magician, there is a death in our heroine’s past. Right now, this loss weighs on her, and prevents her from moving on with her life. She needs to deal with it, and clear it away in order to grow.

The Hanged Man has Betrayed You

The man hanging my one foot represents a traitor (the original Italian name was Il Traditore, the Traitor). May believe this represent Judas Iscariot, and the fifteenth century Rosenwald deck shows the figure clutching a small bag in each hand. This might be the thirty pieces of silver.

mshangedman_med

Another argument suggests that this figure is Muzio Attendolo, who had been given a high position by the the Pope and then chose to speak out against him. The offended Pope ordered pictured painted of Muzio Attendolo upside-down and suspended from one foot. This type of art was called shame painting. The Pope displayed these paintings all over Rome.

In both cases, the men hanging upside down were traitors. And that’s the meaning used in Tarot: The Magician. The brother to Luke Rykell is Gabriel and he was tasked with illustrating the cursed deck of cards. Only when he reached the final illustration, he balked—not ready to doom his soul to eternal torment. His betrayal led to the entrapment of Luke inside the Tarot cards themselves.

What Does a Giant Snail Have to Do with All This?

The fact that Luke lives in a tower attached to a snail is not a mistake. While researching the aspects of the magician card, I wanted to hone in on the idea of the will and the mind (both traits associated with the Magician card). This led me to the spiral of the snail’s shell, and how it winds in on itself. This is a common symbol for expanded consciousness. In sacred geometry, the spiral follows the Golden Ratio.

spirala

So the home for Luke was both a way to expand his magical powers of intellect, but also a prison that spiraled in forever. It also wasn’t lost on me that in Christian symbolism, the snail stands for sloth. Although Luke is far from lazy, he does linger in his card for hundreds of years and this plays on his mind.

There are many stories attached to the Tarot cards. The symbolism is rich and goes back centuries. The more you dig up on the Tarot, the more they will amaze you.

Tim Kane

Advertisements

Should Vampires Sparkle?

Sadly, the answer is yes. Despite your attitude toward Twilight and its ilk of bloodsuckers, this trend toward the romantic vampire was inevitable.

In the 1980’s vampire films were at an all time low. A comedy, Love at First Bite with George Hamilton, out grossed the serious remake of Dracula with Frank Langella.

Love-at-first-bite

Love at First Bite, released April 1979, grossed $44 million.

MSDDRAC EC020

Dracula, released July 1979, only grossed $20 million.

Vampires might be able to rise from the dead, but there was no saving poor box office results. The failure of Frank Langella’s Dracula signaled the end of the serious vampire movie. After all, how could these supernatural creatures compete with Jason Voorhees or Freddy Kruger? By all intents, the vampire film, and genre, should have never survived into the 80s.

In 1985, two more vampire films were released. One film was another comedy: Once Bitten with Jim Carrey. The second was Fright Night. The box office results showed that a serious vampire movie could compete again.

ONCE BITTEN

Once Bitten, released November 1985, only grossed $10 million.

frightnight1985_11

Fright Night, released August 1985, pulled in $25 million.

The secret to Fright Night’s success was a genre pastiche. It successfully mashed up the vampire film with the more popular teen horror flicks. Instead of a dated historic timeline, the movie existed in present day. Instead of stuffy older adults fighting the vampire, teens had to cope with the monster.

Fright Night competed will with other horror films of the time. Look a that some 1985 box office grosses: Return of the Living Dead ($14 million); Friday the 13th part V ($22 million), Nightmare on Elms Street 2 ($30 million).

The success of Fright Night led to nearly all future vampire films having a genre pastiche element. More teen films arrives (Lost Boys , 1987), along with vampire westerns (Near Dark, 1987 and From Dusk Till Dawn, 1996) and plenty of action movies mashed up with vampires (Blade, 1998 and Underworld, 2003).

So what, you ask, has this got to do with the sparkling vampires of Twilight?

It was inevitable that the romance genre would be combined with vampires. A long history of a vampire longing for a lost love existed. The 1960s television soap opera, Dark Shadows, was the first to have a romantic vampire with Barnabas. Several other movies carried this theme along, notably Blacula (1972) and Bram Stoker’s Dracula (1992).

In 1991, The Vampire Diaries series featured Elena Gilbert, a human girl, who is only moved to passion by Stefan Salvatore, a vampire. These novels jump stared a whole industry of paranormal romance. The meshing of two popular genres: the supernatural and romance. It was only a matter of time before these popular books exploded onto the screen. The small screen for Vampire Diaries. And a four part movie series for Twilight.

draft_lens12020081module109503401photo_1278602143twilight-edward-sparkle-v

Vampires have so melded with romance, I doubt the two will separate. However, this doesn’t mean that different genre pastiches don’t await us in the future. Would people want to see vampire political thrillers (a bit like the Kindred)? Or supernatural detectives (like the X-Files)? The genre of vampires will not dies. It simply resurrects in different forms.

To read more about how vampires have changed through the years, check out my book: The Changing Vampire of Film and Television.

changevamp

Thanks,

Tim Kane