I had no idea I lived so close to such a haunted road. Apparently the dirt road that connects my city to Jamul has all sorts of haunts associated with it — a ghost lady, a goat man and of course a demon car.
Digging into this legend, I can’t help but wonder if it was inspired by the 1977 film The Car, where James Brolin has to defeat, you guessed it, a demon possessed car. The movie has a few problems, but the car design is exceptional and I used it as a basis for the illustration of the Proctor Valley version.
The mouth that opens up at the end was inspired by the cartoon Regular Show, specifically the episode Ello Gov’nor. This is where a British taxi chases Rigby down, but it’s grill opens up into a mouth.
There are also elements of Stephen King wrapped up in the Proctor Valley legend. Not so much Christine, but rather Salem’s Lot. The movie did the best they could, but I recall in the story, King describes the car in much the same way it was depicted in the 1977 Car movie.
I haven’t yet experienced the Demon Car myself. It’s supposed to happen to travelers who embark on the dirt road at night. Once, I did travel down the bumpy path at sunset and behind me loomed a pair of headlights. They never sped up to my number.
All the same, I pushed my car as fast as it would go. Just in case.
Florence Stoker, widow to Bram Stoker, did all she could to stamp out any imitators to the vampire in Dracula. She had all copies of Freidrich Willhelm Murnau’s Nosferatu, Eine Symphonie des Grauens burned. Yet Nosferatu did not stay dead. Like any good horror movie, the villain revived himself and carried on the fight. A print of the film resurfaced in 1929, playing to audiences in New York and Detroit. However preeminent Dracula scholar, David J. Skal, writes that the film “was not taken seriously” and that most audiences considered it “a boring picture”. The print was then purchased by Universal to see what had already been done in terms of a vampire movie. The film was studied by all the key creative personnel leading to the Universal production of Dracula in 1931.
The undead film continued to rise from the grave throughout the years. An abridged version was aired on television in the 1960s as part of Silents Please, and subsequently released by Entertainment films under the title Terror of Dracula, and then again by Blackhawk Films under the name Dracula. Blackhawk also released the original version to the collector’s market under the title Nosferatu the Vampire. An unabridged copy of the movie survived Florence Stoker’s death warrant and was restored and screened at Berlin’s Film Festival in 1984.
Despite its influence on the making of the 1931 Dracula, Nosferatu has few film decedents. It’s theme of vampire as a scourging plague has only been seriously taken up by two films: the 1979 remake by Werner Herzog, Nosferatu: The Vampyre.
Another film (same year) was the television miniseries of Salem’s Lot, directed by Tobe Hooper.
Perhaps if the original Nosferatu, Eine Symphonie des Grauens had been allowed regular release, this would not be the case. It remains to be seen if Nosferatu will vanish again with the daylight or if this rare film will rise again in a new form.