Staring at the Progress Bar

I used to make my living as a computer graphic designer. I was pretty good at it. I designed ads for Winston Tires (not around anymore) and designed the box for TurboTax (that’s still with us). What I hated about the process was the computer. Being totally reliant on technology to get the work done is frustrating. Mostly, it was the progress bar.

You know how it goes. Here’s the situation right now. I’ve decided to update and add a few videos to my iPad. So I hook everything up through iTunes and then the bane of my existence appears. The progress bar. It inches forward, sucking the life from me.

I should walk away, but I can’t. It’s hypnotic. I stare at it, watching the percentage creep forward. I can literally stand there for hours. It’s so pointless. Finally, head upstairs and take a shower because I needed to go out soon. That broke the trance. Once I was away from the progress bar, I could actually progress with my life.

Writing doesn’t have quite as much of that. First off, the file sizes are so small, there’s only a glimpse of a progress bar. Also, I can print out pages or switch to long hand and still be productive. Take that technology.

If you’re stuck with something that is technology dependent, I feel for you. No one likes the progress bar. The best advice I can give you is make sure your other outlets (creative or otherwise) don’t rely on batteries, updates, or Internet.

Tim Kane

Costumes at the San Diego Comic Con

Part of the fun of Comic Con is all the folks dressed up. I snapped plenty of pictures, but not all of them came out in focus. Here are the non-blurry photos.

On my way to baggage check, I ran into Batgirl.

Always great costumes around the Marvel booth. Here we have Nick Fury and Black Widow.

Man. That’s some paint job. But the effect is cosmic. Great Silver Surfer.

This guy had a fantastic Iron Man suit. He even cut his chin hairs to match Robert Downey Jr.

Tremendous steampunk maiden.

Everyone loves a werewolf. They do. It’s scientific fact.

At least it’s air conditioned in the convention center.

Tim Kane

San Diego Comic Con Shopping Spree

Even though I live in the same city as the San Diego Comic Con, I still treat it as a vacation. Thus, vacation spending. I give myself a budget and then spend every penny of it. Here are some stand out items (and where to find them) on the Exhibition Floor.

The first booth I plopped cash down was “Fuzzy Balls Apparel”. Yes, clever name. They were responsible for the hand sewn apple and the “eye” flower (which is actually a hair clip). You can find them at booth 4839. Another of my favorite booths is Conduct Happiness (booth 4832), home of the Pea, as in “pea in the pool” or the “pea pea dance.” I picked up another hair clip for my daughter here. The stuffed Frankenstein was from The Bijou Collectibles (booth C-01). I can’t recall where I picked up the stuffed kitty.

I’m always a sucker for steampunk and no one does it better than Weta (booth 3513B). I picked up yet another fabulous book from Dr. Grordbort. This year, it was Triumph, Unnecessarily Violent Tales of Science Adventure for the Simple and Unfortunate – written and illustrated by Greg Broadmore. I grabbed the last Berry Ninja apron (for kids). I can’t recall the booth, but I do know it was right next to Fuzzy Balls Apparel. Finally, the small book you see is “Wonderland Alphabet” giving each letter an Alice in Wonderland twist. This was from Archaia Entertainment (booth 2635). I just read this book to my daughter. It really goes deep into both Alice Books (Wonderland and Looking Glass).

I’m love T-shirts, but I detest the standard black or white fair. Snap T-shirts (I can’t locate the booth number, but it was near artist’s alley). This guy hand screens the shirts himself. Hard to see in this picture, but the shirt is a burgundy color. The book is called “So Good for Little Bunny” by Brandi Milne. This was from a combo booth with Griz Grimley and other artists (this might be booth 501). Finally the Frankenstein is a “Kooky Kans” from Mixo (booth 4633).

Enjoy the comic con and remember, there are ATMs in the lobby.

Tim Kane

Must Sees at the 2012 San Diego Comic Con

I swept through the San Diego Comic Con like a child in a candy store. So many twinkly and shiny things. As I stumbled around (and into a few fanboys with poster tubes) I snapped pics of my two favorite areas.

Batmobiles
Warner Bros broke out the Batmobile vault and wheeled them all down. Yes, all the Dark Knight’s rides dating all the way back to the Adam West years. Ogle and enjoy.

Adam West’s ride from 1955. It’s a Lincoln Futura featured in the 1960s TV series.

Redesigned batmobile for Val Kimer in Batman Forever, 1995.

Clooney’s batmobile actually had a top speed of 350 mph and a rocket burner.

Christopher Nolan’s 2005 Batman Begins featured the “Tumbler” batmobile.

Frankenweenie
That wasn’t all. The folks at Disney were touting Tim Burton’s Frankenweenie everywhere. I grabbed my hall pass and peeked through the stop motion museum. Astounding on so many levels.

Frankenweenie himself, looking cute and a bit despondent. In the back, you can make out the skeleton used to move the figure.

The classroom, complete with Victor, Edgar (as Igor) and the teacher.

Victor’s attic where he jolts Frankenweenie to life.

Outside the official convention was a tent sponsored by Frankenweenie. Inside, I found this… a graveyard with carnivorous plants, gravestones, and mist.

If you’re still in the convention, check these out. If not, then view and drool. I know I did.

Tim Kane

Coping With “Thirteen Reasons Why”

I just finished reading “Thirteen Reasons Why” by Jay Asher. And when I say “just finished” I mean minutes ago. I burned through the last forty pages. Breathless.

I loved the book.

More than just a typical reader would. As a school teacher, I’ve run across kids who needed similar help (not the same, thankfully). I find that school, and teaching, is a mixed bag of learning, friendship, and therapy.

First, let me give you a freeway version of the story (no spoilers, I promise). The novel follows the story of Hannah Baker, a girl who has committed suicide. We hear her words though audiotapes she left for the thirteen people connected with her suicide. Intercut with this is the first person narration of Clay. He’s listening because he’s on the tapes, somewhere. He spends the novel trying to figure out what he did to push a girl over the edge.

Every year (every year, at least since I ran across my first case of a girl cutting) I talk to the students about coping mechanisms. How to unload all that stress and anger that builds up inside. And it does. It’s like shaking up a can of soda. If you don’t know how to release the pressure, it will explode. Trust me, I know.

As I guy, mostly this comes out with hitting things. I’ve dented two car roofs (both mine) and hit the floor so hard it actually shook the house. I don’t think those were the best therapies, but they were better than the alternatives.

Basically, you need a way to get those inner demons out. Hannah (from the novel) had the right idea with poetry. Unfortunately, circumstances conspired against her. Journaling also works. This is essentially what Hannah did with her tapes. It was too late when she worked through her emotions. It’s something you need to start with.

Art is another one. I recall, as a disaffected teen, I attacked a painting with so much force, that I broke the paint brush. (Seeing a trend here?) Once, a poet visited my class (this is fast forwarding to when I was a teacher) and she told the kids something I will never forget. Poems don’t have to be about sadness or joy. Any emotion will do. Anger in fact. She encouraged my class to get angry with their muse.

Essentially, I think I became a writer as a coping mechanism. A way to pour out all the ick that lived inside. I’ve dealt with double dealing friends and some nasty gossip. I simply gave that stuff for my characters to deal with. A bit nasty on my part, but hey, it let me heal. Then I could talk to those people again and not be filled with hate.

The only thing about Jay Asher’s book that bugged me was the parents. Where were they? He had Hannah offer an excuse about the business failing, but I needed to see it more. Why? Because I want to believe that they could have helped. You see I have a little daughter. And when she struggles with her teen years, I hope I can be there for her. I know it’s possible, probably even likely, that suicidal teens don’t confide in their parents. But as a reader (and a father) I would have hoped Asher would have addressed it. Maybe he did. (I haven’t finished with the questions at the end, so maybe he addressed it there.)

I guess I feel like Clay sometimes. As a kid (I know I’m jumping around here) I had a friend who’s father killed himself. One day, at friend’s house, he just broke down, crying. Hell, I had no clue what to do. I was something like thirteen or fourteen. But I listened to him. Especially because the others in our group wouldn’t. He survived the rest of high school without any further incident. So I’m glad I did something. At the very least, I didn’t turn away.

If you ever have someone open up to you, don’t push them away. Listen. Be there for them. Do something that they can’t.

Tim Kane