Living the Pumpkin Carving Life

It’s October and I’m watching Halloween Wars. No, I don’t style myself on par with the expert pumpkin carvers, but I’ve created some pulpy ghouls over the years. One of the best tools I’ve seen (and one I need to buy) is the bent wire stylus used by clay sculptors. Currently, I use a strawberry corer to make detail work on the face of pumpkins. But I’m going too far. Most folk want to cut your classic pumpkin without all the hassle. I have a few tips.

Now, the pumpkin I worked with ended up being a monster. Seriously, this thing was at least an inch and a half thick. I could hardly cut it. That being said, ditch those orange plastic pumpkin carving tools they sell at the store. Totally useless. Here’s what you need:

  • A bread knife
  • A steak knife
  • An ice cream scoop
  • A bowl to hold all the pulp and seeds

Pumpkin Tools

The ice cream scoop is great because the spoon has sides that are vertical (unlike a flat spoon) which makes digging into a pumpkin through a small hole easy. If you have one with a release lever (like the one pictured) then you never get your fingers gunky (although you loose out on all the fun that way).

I typically use the bread knife to cut off the top because I’m going for power, not finesse. Once I get to the face, I switch to the steak knife. Serrated edges are the key. You want to saw through the pumpkin. Nothing is worse than punching in with a standard knife and have the blade trapped by the pumpkin. Literally, you can’t move that thing.

Cutting out the eye hole.

Don’t be afraid to over cut the holes. Generally, they don’t show. Toss everything in a bowl as you go to ease clean up. For the finished “classic” pumpkin, I use one of those battery-operated candles. These are great because you still get the flicker, but without any heat.

There are all these opinions on how to preserve a pumpkin. Mostly, I leave them out. They’re going to rot. Accept it. If I do want to keep one, I stash it in the fridge. This will only work for one pumpkin, and only then if you can make the room.

Carve away.

Tim Kane

Costumes at the San Diego Comic Con

Part of the fun of Comic Con is all the folks dressed up. I snapped plenty of pictures, but not all of them came out in focus. Here are the non-blurry photos.

On my way to baggage check, I ran into Batgirl.

Always great costumes around the Marvel booth. Here we have Nick Fury and Black Widow.

Man. That’s some paint job. But the effect is cosmic. Great Silver Surfer.

This guy had a fantastic Iron Man suit. He even cut his chin hairs to match Robert Downey Jr.

Tremendous steampunk maiden.

Everyone loves a werewolf. They do. It’s scientific fact.

At least it’s air conditioned in the convention center.

Tim Kane

A User’s Guide to Surviving The Comic Con Exhibition Floor

I’ve been attending the San Diego International Comic Con since it was just a local shindig that peddled actual comics. Now the convention sprawls all over the convention center, pulling more Hollywood bigwigs than actual comic collectors.

Rarely do I attend the panels. The last one I did see was for the cast of Buffy the Vampire Slayer (TV show). This was probably the second or third season. Way before they became uber-popular. The cast looked shocked when folks asked questions like: Who do you think would win in a fight: The Thing or the Hulk? (Seth Green was the only one to sport an answer).

Now, these panels are an experiment in frustration. The lines are ridiculously long and that doesn’t even guarantee a seat. Plus, everything is streamed live to the web. Why not Goggle it? You’ll get a better view and not have to wait for eight hours (no exaggeration).

Hawkeye and Ms. Marvel

I content myself with hitting the exhibition floor. What follows are some tips that may help you navigate the crowds and survive the tumult that is Comic Con.

Bring a Suitcase
If you’re like me, you come to shop. The geeker the shopper, the bulkier the purchases. (That Galactus figure won’t fit in the overhead storage compartment.) When the day is over, you’ll need to haul all this swag back to your car or hotel, which is most likely many blocks away. Did I mention that this convention happens in July in San Diego? The heat and humidity conspire to make each passing Klingon smell like an actual Klingon. So a suitcase with wheels will really come in handy.

Don’t Bring a Suitcase
Those wonderful security folk who man the doors won’t let you on the exhibition floor with your rolling suitcase. So now you’re saying: “Why the heck did you make me tote this suitcase down here anyway?” I can answer that in two words: Coat Check. There are multiple locations where you can store your suitcase for the day. They cost a few bucks (so bring some singles), but it’s well worth it. Often I return and stuff my suitcase with swag before launching back into the exhibition hall. It costs each time you pull your suitcase out, but it’s worth every penny. Just don’t lose your slip, or you won’t get your luggage back.

Deodorize
Comic Con is funky on many levels. Mostly it has the unwashed comic geek, fresh from his basement lair. And all these folks are crammed into narrow aisles. Douse yourself with something that smells nice. Seriously. I often walk through clouds of stink as I traverse the halls.

Bring Snacks
Yes, there are vendors selling food, but it’s overpriced and the lines are long. (I once saw a line that stretched fifty yards. I was convinced this was some famous person doing a signing. Nope, just the line to Starbucks.) Throw some snacks in a backpack and much as you go. When it’s lunch time, I’d forge into downtown San Diego rather than eat the convention fare. You have less crowds and better eats.

Take Plenty of Pictures
The best part of Con are the folks in costume. I once saw a group dressed exactly like the cast from Indiana Jones, The Last Crusade (they even had one fella dressed up like the old knight). Or then there was the fully functional Transformer costumes. I’ve found that the best place to see and photograph these folks are in the main hall right outside the exhibition hall. It’s less crowded there and you’re able to snap a photo. Don’t be shy. These people want to be photographed (otherwise they wouldn’t dress up). Just ask politely.

Costumes from the Last Crusade

Good luck folks and remember, your poster tube is not a lance. Please don’t stab me with it.

Tim Kane

It’s Midsummer: Time for Human Sacrifice

One of my most favorite flicks to watch this time of year is The Wicker Man. Not the god-awful remake with Nicolas Cage, but the 1973 original with Christopher Lee. For those of you not familiar with that name, he’s probably better known these days as Count Dooku from the Star Wars prequels or Saruman from The Lord of the Rings. For me, I shall always remember him as Dracula from the series of Hammer monster films in the 60s and 70s.

The Wicker Man shows the conflict of traditional Christianity, in the form of Sergeant Neil Howie, and paganism, in the form of Summerisle. It turns out the the crops last year weren’t so splendid. Therefore, the island needs a human sacrifice. A virgin to be precise. They lure the sergeant there on the pretense of a missing girl. Though he’s the one they’re after. The film culminates with the poor fella being locked in a ginormous wicker man and being set ablaze.

The comedy of the film lies in this totally proper sergeant butting heads with some free loving hippie pagans. There’s a scene where naked girls are leaping over a fire in order to get pregnant. Sergeant Howie objects to their nudity. To which Lord Summerisle (played by Christopher Lee) responds: “Naturally! It’s much too dangerous to jump through fire with their clothes on!”

A year or so ago, I stumbled upon a version of this wonderful film as played by the Muppets. Below is a YouTube preview. But the real fun lies in the web-comic. It completely embodies the spirit of the film.

Tim Kane

Let Horror Clense Your Soul

While traversing my masters in English, I stumbled onto a fact that clicked with me: The Greeks believed that Tragedy was cathartic for the soul. In other words, seeing other folks going through hell, releases the viewer’s personal demons.

This could explain our collective yearning to view horror films. Ghoulies and nasties abound. Even though my daughter is going through the typical fear of things going bump in the night, she still clings to her stuffed werewolf and Lego monsters.

The same cathartic release appears in bullrings. I witnessed a bullfight in south Spain twenty years ago (I was going through my Hemingway phase). Although it was brutal (and plenty bloody) there was this strange sense of unity with the crowd. Just before the killing blow, they all chanted and stomped to a rhythm. It seemed to hypnotize the bull.

Could the same thing have happened in Roman gladiatorial competitions? It’s well known that patricians like Julius Caesar put on many events to amuse plebeians (presumably so they wouldn’t riot). Yet, maybe it also sucked out their fears, letting the gladiators act them out.

One horrific sight I recently stumbled upon was a zombie-like behavior from the audience. Eating fresh liver was believed (by the Romans at least) to cure epilepsy. The liver had to come from a healthy specimen. What better than a gladiator? Consequently, when a gladiator fell, there was a mad dash to tear open his gut and gulp down the liver. Can you picture this? It’s like Romero movie, but for real.

Feeling a little stressed and weighted down? Maybe some adrenaline and screaming will help. Either hop on a roller coaster to slip in a horror disc. Either way, screaming may lead to peace of mind.

Tim Kane