Attack on Titan: Giants in Mythology Around the World

Arkane Curiosities

When Hajime Isayama created Attack on Titan, he ushered us into a sprawling world of Titans, set on devouring all of mankind. Yet where did Hajime find inspiration for these walking behemoths and are there any other giants in mythology that can serve as models?

Hajime Isayama Loved Things Ugly

In a 2014 interview with the magazine Brutus, Isayama describes how he would doodle in his notebook during Junior High. “I was drawing ugly things exclusively.”

Originally, the Colossal Titan had a much different appearance. Isayama used a “30-Second Drawing” app and designed the giant with a stone body and covered in human teeth. Later, he felt the muscled figure would look cooler and switched it out. 

Drunken Humans Became the First Titans

Isayama worked part-time at an Internet cafe where he would observe the patrons. Many had a look of bewilderment, as if their life had no purpose. He brought these ideas into the idea of the Titans. 

One night, he encountered a drunk patron. Trying to communicate with this person became frustrating and pointless. Isayama was intrigued by “the lack of the ability to communicate even though the person was of the same species.” Thus the Titans were mute, bent on their desire to consume humans.

Cannibalistic Mona Lisa

The manga Jigoku Sensei Nube also inspired Isayama. This series followed a teacher, Nūbē, who used a technique called Demon’s Hand to counter supernatural threats. In issue 34, he took on a now familiar-looking cannibalistic Mona Lisa. The figure would come out of the painting and eat people whole, much like the Titans.

The Norse Jötnar Reveal the Founder, Ymir

In Norse mythology, a race of giants, called Jötnar, live in the land of Jötunheimar. The Jötnar were the enemies of the gods (much like the Titans are the enemies of humanity). Yet many Norse gods had children with these giants and the Jötnar are important to the end of the world, Ragnarök. 

Additionally, the primordial being in Norse mythology is Ymir, who existed before any of the gods. This huge frost giant spent all his time slurping from the teets of a massive cow, Audhumbla.

Three of the Norse gods hated the Jötnar and especially the greedy and noisy Ymir. They attacked the original frost giant, and finally defeated Ymir. The three gods tore apart the body, using Ymir’s flesh to create the world, his blood to make the ocean and his bones to build the mountains. Ymir’s hair became mighty forests and his brain transformed into the clouds in the sky.

The Gashadokuro, or Heaped Bones of the Angry Dead

Japan is filled with magical beings called Yokai and the most monstrous of them all is Gashadokuro — a giant skeleton that roams the night, eating people.

Legend has it that soldiers or victims of a plague who do not receive a proper burial are reborn as ghosts. They die with anger in their hearts and this energy binds hundreds of bones together into a gigantic skeletal monster.

Their teeth clatter (giving them their name) but they can also be silent. If they find a human out late and alone, the gashadokuro will creep up and catch the unwitting traveler. The skeleton crushes its victims in their hands or bites off their heads. 

Tim Kane

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3 Weird Ways to Kill a Vampire (Needle, Bullet, Sock)

Arkane Curiosities

It’s the middle of the night and a bloodsucking undead is traipsing through your house. You reach for your trusty stake… Wait! This is the 21st century. Nobody has a stake lying around. So what are some other ways to kill a vampire?

1 Kill a Vampire with a Needle

Vampires have two hearts. The human heart they had in life and a second heart, located at their navel. The Romanians believe (present tense, mind you) that a needle jammed into the navel will pierce the second heart. This is the one that keeps the vampire alive after death.

Beware the Splatter

Even if you use a tiny needle, you need to watch out for vampire blood. Vampires were seen as squishy blood balloons. Their blood was so corrupt, that anyone who touched the stuff would go insane. In olden days, vampire hunters would drape an animal hide over the body when staking. These days, a plastic tarp will do. 

2 Shoot the Coffin

Vampires need to sleep off their blood-drinking binge in a nasty and foul coffin. A consecrated bullet, shot through the wood of the coffin, would “bless” the resting place and the vampire would no longer be able to enter. It wasn’t sunlight that killed the vampire (this was invention of Hollywood) but rather exhaustion from lack of sleep. 

3 Steal His Sock

Yes, you heard that right. Vampires are rather possessive of their footwear. Steal bloodsucker’s left sock (considered the “evil” one because the Latin word for left is sinister). Fill the sock with rocks and toss it in a nearby stream or ocean (but not a lake). The nosferatu will go searching for their sock and will have to dive into the water to retrieve it. Moving water has long been the death knell for the undead. 

There you have it. Three modern solutions to your own vampire infestation. 

Tim Kane

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Two Amazing Short Horror Films

Okay, I’ve seen plenty of zombie films. So have you. What could possibly come along to freshen up such an overworked genre? Dring of the Dead is your answer. A five minute French film that will make you laugh as it gives us a new take on zombies. The whole “walking dead apocalypse” has become such a standard trope, that filmmakers can now use it to introduce new ideas. When the lead character is running pell mell down the street, we easily accept that a zombie as the reason why. His accidental solution to the problem of being eaten is amazing. Check it out.

This other short is Lovecraftian gold. Called Black Gold, it is the brainchild of Hank Friedmann. It reminds me a little of the 1980s flick Mazes and Monsters with Tom Hanks. Only in Black Sugar, the teens take a Chthonian drug that looks like a flourescent Twinkie. The kids are transported to a world where Cthulhu creatures rule. Or are they? The viewer isn’t sure if this is real or simply a hallucination brought on by the drugs. Either way, this would be a terrific anti-drung advert. No one would touch drugs after seeing what happens to these kids.

Black Sugar from Hank Friedmann on Vimeo.

Here’s a clip from Mazes and Monsters to make you feel better after watching Black Sugar.

Enjoy your 15 minutes of horror entertainment. Remember: Shop Smart. Shop Smart.

Tim Kane

Dream Casting for the Tarot Movie

Okay, what would be the dream cast for Tarot: The Magician? Since this is totally fictional, I can pick whomever I want, right? No matter how high profile or farfetched. Okay then, lets get this thing rolling.

First off, I know I’d want a director who could handle the creepier aspects of the book and not be overwhelmed with the surreal landscape of the Tarot world. The short list was down to one director: Guillermo del Toro. I’ve always admired his work, all the way back to Cronos.

Guillermo del Toro and the faun from Pan's Labyrinth.

Guillermo del Toro and the faun from Pan’s Labyrinth.

Now the principal characters. The main character, Kassandra, was hard to cast. She had to be an actress who could be snarky, but at the same time hold onto a lot of pain and guilt. My final choice is Chloë Grace Moretz. You would know her as Hit Girl from KickAss or from the remake of Carrie.

Chloë Grace Moretz from Carrie. She certainly has the look for Kassandra.

Chloë Grace Moretz from Carrie. She certainly has the look for Kassandra and the chops to handle the role.

With her cast, I now needed her adversary: Luke Rykell. This was a hard part to assign. The character is 600 years old and charming as all get out. Robert Patterson came to mind, but he’s been overexposed in the role of Edward Cullen for too long. Plus, I wanted something of a smart ass for this role. A person you’d instantly trust, only to find later that your trust was mislaid. The answer: Andrew Garfield.

Andrew Garfield ready to charm you as Luke Rykell.

Andrew Garfield ready to charm you as Luke Rykell.

Luke’s brother, Gabriel, was even harder to cast. I needed someone who you could ultimately trust, but that had a deep well of guilt tearing at his inner being. Darn, that sounds way too poetic, although it perfectly sums up Gabriel. He is the ultimate Romantic (as in the poets). The answer was Kit Harrington from Game of Thrones.

Although he'd need to shave, Kit has all the qualities needed to play Gabriel Rykell.

Although he’d need to shave, Kit has all the qualities needed to play Gabriel Rykell.

Kassandra’s mom was the hardest to cast (why do they get harder as I move through the list?) Many actresses I envisioned as the mom were too old or just not right for the character. Then Kate Winslet cropped up, and I knew she was perfect.

Kate would perfectly deliver the role of the mom who just wasn't there for her daughter.

Kate would perfectly deliver the role of the mom who just wasn’t there for her daughter.

Auntie Jo was the easiest and the first character I was able to cast: Queen Latifah. Although she’s not a perfect match for the role physically (the characters is heavier and has an afro) her demeanor fits Auntie Jo to a T.

Queen Latifah would rock as the past-life obsessed Auntie Jo.

Queen Latifah would rock as the past-life obsessed Auntie Jo.

Kassandra’s Dad was an important character to cast. He’s the catalyst for the entire novel. Also, Kassandra meets him inside the Tarot deck to hash out her issues. It’s a small role, so I figured, why not give it to a big actor. They take cameo roles, right? Besides, this a dream cast. Then I thought of 12 Monkeys and how great Brad Pitt was in that wacky world.

Brad as the troubled father to Kassandra. Only after his death does he really learn to connect to her.

Brad as the troubled father to Kassandra. Only after his death does he really learn to connect to her.

That only left Lindsay, the bossy social queen bee of the high school. This is a girl who’s used to pushing people around. Yet she also had to be a red head, that was always in my mind throughout the story. The answer? Another actor from Spiderman: Emma Stone.

I always described Lindsay with a sweep of red hair grazing her face, and here's Emma with the same look. Perfect!

I always described Lindsay with a sweep of red hair grazing her face, and here’s Emma with the same look. Perfect!

Did I do all right? I hope so. This would be an awesome cast for any film. Imagine what these actors would do in the freaky world of the Tarot?

Tim Kane

Do Story Trilogies Always End in War?

I just blazed through Hollow City, the sequel to Miss Peregrine’s Home for Peculiar Children. As I neared the end, I noticed a trend in sequels, especially ones that lead to a trilogy: War.

HOLLOW-CITY-COVER

I don’t think I’m giving away too much when I read that the peculiars in the book were gearing up for a war against the hollows. (There’re plenty of other twists in the book that will keep you guessing). Now, I don’t know if the peculiar series will be a trilogy or keep going, but I do know they’re following a trilogy pattern set forth by many previous books.

Let’s face it. Sequels need to be more than their predecessor. Bigger. Flashier. With more risk. Some story trilogies handle this by piling on the villains. (Think about the orginal Batman movies. You have Joker in the first one. Then Penguin and Catwoman int he second. By the third, the landscape is littered with villains.)

The smarter story trilogies go for the “war” arc. In the first book, it’s only the protagonist up against the ropes. He or she has to face amazing odds. By the sequel, though, the landscape of conflict broadens. Often book two (or movie two) is a prelude to war. Characters are gearing up. The final payoff comes in the final installment where all hell breaks loose.

Don’t believe me? Here are some examples.

Hunger Games: This one is almost the template for the war arc. Book one is only Katniss. By book two, she’s swept up in a conspiracy to use her as a leader for the resistance. Then book three is all about the war.

Jennifer-Lawrence-and-Josh-Hutcherson-in-THe-Hunger-Games-Catching-Fire-2013-Movie-Image

Uglies: Still my favorite book series, it too follows the war arc, although a bit more slowly. In book two (Pretties), Tally leaves the rebellion to go “undercover” in the city. Yet it completes the cycle by making her a super-weapon to help fight the war in the third book (Specials).

Lord of the Rings: True, both the second and third books have wars, but the scope expands. Two Towers has Rohan fighting for survival and the force against them seems gargantuan. Yet this battle seems teeny when compared to the epic clash for Gondor in Return of the King. Think about it. This book series started with nine companions, yet broadened to take on the whole world of Middle Earth.

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Star Wars: I’m only going to look at the original movies (Episodes IV through VI), though I imagine this war arc would apply to the prequels. True, the rebellion attacks and destroys the Death Star in Episode IV. Yet this was just Lucus going for broke. Who knew if he’d ever get funding for the remaining movies. Then compare the rebel force from New Hope to the rebels at the end of Empire Strikes Back. A complete scale up. The rebels are preparing for a massive battle that happens, surprise, in the third movie (Return of the Jedi).

Battle_of_Endor

Does this war arc hold true for any other books or films? You tell me. Comment below if you have any other stellar examples.

Tim Kane